Much talk, discussion, heartache, and pipe band judge scribbling is spent over the simple issue of “blowing.” Many pipe majors and band pipers will complain that it is their band’s single biggest weakness when it comes to performance on the competition circle.
So what is it? And why can’t it be good all the time? Is “good blowing” simply blowing and squeezing to get a steady sound out of the bagpipe that does not waver? I would argue that good blowing is not just a term for steady playing, but all the elements that go into that steadiness as well. It comes down to mechanics. And not unlike playing a good 6/8 march, it is a skill influenced by many factors.
Now that the “off-season” is starting up in earnest here in the eastern US, it is a good time focus on the nitty gritty of your personal playing. But rather than dwell solely on the physical act of blowing the bagpipe and squeezing the bag, spend an equal amount of time on the physical aspects of holding and using your instrument.
It may seem obvious, and it is worth stating, but the physical aspects of holding the instrument, your comfort, and the fit of your bagpipe, all have an affect on “blowing tone.” Personal comfort is essential. You must be aware of your own comfort thresholds and work within them. Good blowing will depend on your personal comfort in order to control your instrument.
Some simple items to examine and address:
Be sure to check out “4 More Simple Checks for Better Bagpipe Blowing.”
Once upon a time, I produced a run of T-shirts to build awareness of the current market plight of the mpingo tree (a.k.a. African blackwood). Having done all the good they were meant to do, I’ve still got a number of them left, which I’m offering on Ebay for a song. Go get yours while they last and announce to the world “Today is a good day to pipe!”